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etchings in the yale center for british artyale center for british arthand-coloredisaac cruikshankjames gillrayrichard newtonlaid paperpaperjohn cawsemichael vandergucht
Scotch Eloquence to a Chilly Congregation, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam, James Gillray, 1791
etchings in the yale center for british artjames gillray
The - Battle Royal, or Who Wears the Breeches, James Gillray, 1784
etchings in the yale center for british artjames gillray
The Prodigal Son, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Slough of Despond----; Vide - The Patriots Progress, James Gillray, 1793
etchings in the yale center for british artjames gillray
Polonius, The Tallest, Fittest, Properest, Man to Walk before the King!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar, James Gillray, 1797
etchings in the yale center for british artjames gillray
The Legacy, James Gillray, 1786
etchings in the yale center for british artjames gillray
Enjoying an Old Friend, Richard Newton, 1795
etchings in the yale center for british artrichard newton
Galic Perfidy, or the National Troops Attachment to their General after their Defeat at Tournay, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
How to Gammon the Deep, Ones or the Way to Overturn a Coach Ac(c)ording to Act of P(ar)l(ia)m(en)t (from: Caricature, vol. 4), Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Oysters. Oysters. I Us'd for to Cry, When the Wind Blew so Hard that my Boat could not Ply, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
Political Boxing; or an Attack, at the Woolsack, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Dainty Nice Sprats, Ho!, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Self Murder or the Wolf Tried and Convicted on his own Evidence, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The First of April or, A Meeting of Creditors, Samuel Collings, 1785
etchings in the yale center for british artsamuel collings
Billy & Harry in Their Glory or a Great Man Kicked Out of Place, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
John Taylor, Verger to the Lodge of Black Friars, at the Fos, Bloomsbury most worthy Father - (') T-is Past Eleven O'Clock, Richard Newton, 1793
etchings in the yale center for british artrichard newton
An Epilogue - to the Way to get Married, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
John Bull Humbugg'd alias Both-ear'd, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Sleep-Walker, James Gillray, 1795
etchings in the yale center for british artjames gillray
Field Marshall Count Suwarrow-Rominskoy ---, James Gillray, 1799
etchings in the yale center for british artjames gillray
The National Assembly Petrified _________/The National Assembly Revivified, James Gillray, 1792
etchings in the yale center for british artjames gillray
A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, Michael Vandergucht
etchings in the yale center for british artmichael vandergucht
Doctor Sangrado Relieving John Bull of the Yellow Fever, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Favorite Guinea Pigs Going to Market, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
William Drummond of Hawthorne, Richard Gaywood, 1654
etchings in the yale center for british artrichard gaywood
The British Neptune riding Triumphant, or the Carmignol's Dancing to the Tune of Rule Britannia, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Devils - Parson Shooting, John Cawse, 1800
etchings in the yale center for british artjohn cawse
An Old Grudge, Richard Newton, 1795
etchings in the yale center for british artrichard newton
The Libertine Reclaim'd or John Bull Bullied, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Friar Bacon and His Brazen Head, Richard Newton, 1794
etchings in the yale center for british artrichard newton
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves, James Gillray, 1783
etchings in the yale center for british artjames gillray
The Fall of the Wolsey of the Woolsack, James Gillray, 1792
etchings in the yale center for british artjames gillray
Gentle Measures of Voluntary Confessions, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Meditations on a Jordan, Richard Newton, 1791
etchings in the yale center for british artrichard newton
Wood Carving and Original Sign of the House Cock Inn, Tothill Street, Westminster, John Wykeham Archer, 1851
etchings in the yale center for british artjohn wykeham archer
Street Monuments, Signs, Badges, &c., Plate 1, John Wykeham Archer, 1851
etchings in the yale center for british artjohn wykeham archer
The Minister In - The Minister Out, James Gillray, 1782
etchings in the yale center for british artjames gillray
Evacuation Before Resignation, James Gillray, 1782
etchings in the yale center for british artjames gillray
Taking Physick; - or - The News of Shooting the King of Sweden!, James Gillray, 1792
etchings in the yale center for british artjames gillray
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar, James Gillray, 1792
etchings in the yale center for british artjames gillray
A Cure For the Heart Ache!! A New Scotch Reel Altered From the Brunswic Minnet, & The Old Jersey Fig, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover, James Gillray, 1784
etchings in the yale center for british artjames gillray
The Grand-Consul of the Great Nation Perusing - John Bulls Dispatches!!!, John Cawse, 1800
etchings in the yale center for british artjohn cawse
The Jocose Prisoner & Honest Cryer. A Joke May be Carried Too Far, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
Silas Deane, Thomas Johnston
etchings in the yale center for british artthomas johnston
Temple Bar, Charles William Sherborn
etchings in the yale center for british artcharles william sherborn
The Grand Review on Sydenham Common, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Present State of Liliput or No Tax on Blindmens Dogs, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The York Reverence; - or - City - Loyalty Amply Rewarded, James Gillray, 1791
etchings in the yale center for british artjames gillray
Rights of Man Alias French Liberty Alias Entering Volunteers for the Republic (from: Caricature, vol. 3) (from: Caricature, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The States of the Bowels; or a Fashionable Disorder!, John Cawse, 1794
etchings in the yale center for british artjohn cawse
A Hint for an Escape at the Next Spring Meeting, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
A Highland Interior, Alexander George Fraser
etchings in the yale center for british artalexander george fraser
The Chancellor of the Inquisition Marking the Incorrigibles, James Gillray, 1793
etchings in the yale center for british artjames gillray
Miss Hibernia at John Bulls Family Dinner, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
John Bull Triumphant, James Gillray, 1780
etchings in the yale center for british artjames gillray
A Panic on Both Side or Great Men in the Horrors, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Miss, I Have a Monstrous Crow to Pluck with You!, James Gillray, 1794
etchings in the yale center for british artjames gillray
The Treasury Spectre, or the Head of the Nation in a Queer Situation, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Pitt Fall, James Gillray, circa 1785
etchings in the yale center for british artjames gillray
The Treaty of Peace, or Satisfaction for all Parties, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Sailors and the Pounded Ass, Richard Newton, 1796
etchings in the yale center for british artrichard newton
Lough Foyle, Londonerry, John James Hinchliff
etchings in the yale center for british artjohn james hinchliff
A Peep Into Saldanha Bay, or Dutch Perfidy Rewarded, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
The High German Method of Destroying Vermin at Rat-Stadt, James Gillray, 1799
etchings in the yale center for british artjames gillray
The Auckward Squad, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Gloria Mundi, or - The Devil Addressing the Sun, James Gillray, 1782
etchings in the yale center for british artjames gillray
The Grand-Signior Retiring, James Gillray, 1796
etchings in the yale center for british artjames gillray
Les Sacrefices Forces, Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
Mines de Botallack, Edward Edwards, 1866
etchings in the yale center for british artedward edwards
Proteuse/y 2D in Sev'ral Among his Many Publick Characters, James Gillray, 1784
etchings in the yale center for british artjames gillray
The April Fool or The Follies of a Night ---, James Gillray, 1786
etchings in the yale center for british artjames gillray
A Coalition of Parties, Give Justice Her Claims, James Gillray, 1783
etchings in the yale center for british artjames gillray
The Faith of Treaties Exemplified, or John Bulls last effort to Oblige his False Friends, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Give a Dog an Ill Name, They'll Hang Him, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
A Will O'The Wisp or John Bull in a Bog!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Buonaparte at Rome Giving Audience in State, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Bobadil disgraced, or Kate in a Rage___For Brunswicks Duke with Ninety Thousand Men, March'd into France and Then!!___and Then March'd Out Again, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
How a Great Admiral, with a Great Fleet, went a Great Way, was Lost a Great While, saw a Great Sight - And then came Home for a Little Water, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Edwinsford, the Seat of R. Banks Hodgkinson Esqr., William Watts, 1776
etchings in the yale center for british artwilliam watts
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard, James Gillray, 1798
etchings in the yale center for british artjames gillray
A Present of a Haunch of Venison!, Richard Newton, 1796
etchings in the yale center for british artrichard newton
A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Rochester, Stroud, and Chatham, Medway, John Charles Varrall, between 1827 and 1838
etchings in the yale center for british artjohn charles varrall
A Portrait ------------, James Gillray, 1799
etchings in the yale center for british artjames gillray
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Irish Bull broke Loose, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
The Rape of Helen, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Finishing Touch, James Gillray, 1791
etchings in the yale center for british artjames gillray
Frith the Madman Hurling Treason at the King, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Getting the Length of the Duchess's Foot, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Dutch in an Uproar or the Batavian Republic Crying for Winter, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, Michael Vandergucht
etchings in the yale center for british artmichael vandergucht
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